World Kombucha Day is TOMORROW, Feb 21st, and we are planning a celebration! We’ve got a couple of things going on, and part of our plans involve giving things away. Fun for everyone.
Over on our Instagram page, we will be giving away one of our deluxe kombucha-making kits, a kombucha-making kit and bottles from our friends at Happy Mountain Kombucha, and four sets of two “booch bouquets” (example image above) — one for you and one for you to give to a friend you want to introduce to kombucha! This way, you can taste together while tasting apart. (Because we still want everyone to stay safe!) All the giveaways will be on Sunday, Feb 21, 2021, also known as #WorldKombuchaDay 2021, from 9:00 am (PST) to 4:00 (PST).
The “booch bouquets” will be comprised of kombucha from five of our customers and friends:
Follow the kombucha brewers – we will tag all of them in every post.
Comment on one or more photos we post labeled “#FHSBoochGiveaway” and tag a friend you’d like to introduce or reintroduce to kombucha!
Only one comment per photo is eligible, even if you make more than one per photo.
You can comment (enter) on each photo, but you can only win one prize.
Winners will be decided at random from those who meet the criteria.
The caption of each photo will clearly state when comments to win are closed.
Each photo giveaway will be about one hour long.
Odds of winning will depend on how many people comment/enter.
Winners will be announced no later than 12:30 pm (PST) Monday Feb 22, 2021 – our goal is to announce each one before picking the next, but we cannot promise to be able to do so.
You must be able to pick up your winnings at F.H. Steinbart Company in Portland, Oregon – we cannot ship these.
You must pick up your winnings between Tuesday Feb 23, 2021 and Saturday Feb 27, 2021 during our normal operating hours of 9:00 am & 4:00 pm (PST) – we simply don’t have the space to hold winnings longer.
Any winnings unclaimed by 4:01 pm on Saturday Feb 27, 2021 are forfeit.
Any surrounding material (i.e. boxes, plants, art) in the photos is not part of the winnings.
For Bouquet winners:
We cannot promise you exact flavors. The images are and will be examples only.
You will get kombucha from each brewer, but (again) we cannot promise specific flavors from any one brewer.
The two bouquets will be identical – otherwise, how could you do a video tasting together?
For Kit winners:
Only one kit per winner (unlike the booch bouquets)
F.H. Steinbart Company would not exist were it not for the fact that, the world over, people love fermented foods and beverages. More importantly, many people love MAKING fermented foods and beverages. Beer, of course, being one of the most common beverages people decide to tackle. And why not? It’s relatively easy, and it’s often got a much quicker turn-around time than beverages like wine, mead, or saké.
This year we’re making it easy for you to join Learn to Brew Day, even though we cannot run demos or teach directly. We are offering the AHA’s 2020 recipe ingredients (extract or all-grain, your choice) for a 5 gallon recipe at 15% off! Get a kit and Learn to Brew!
We decided to make up both extract and all-grain kits not just because we know some folks who already know how to brew will want to join in, but because we know learning to brew is a process. Some folks will definitely take this as an opportunity to learn to brew for the first time, and we wanted to invite others to make the jump and “learn to brew” all-grain.
Over the next week, starting tomorrow on Learn to Brew Day, we will share what brought four or five different people to brewing beer, and the sale on these ingredient kits will run until the 14th of November. We hope lots of folks, from beginners to experts, will consider what they want to “learn to brew” and take on those new and fun challenges.
Are you planning to learn (or teach!) brewing? Or, if you’re an expert brewer, are there new challenges you’re looking to take on?
Once I’d decided on Sauvignon Blanc, and mysteriously convinced Chip (pictured below) to join me in this quest, it was time to figure out what the heck to do.
First, I had to commit to the juice before it sold out. From working here last season and paying attention when Tom, John, Mark, and other wine-makers talk wine, I knew I had to commit to six or seven gallons of juice if I wanted to end up five gallons of wine. I decided on six gallons. Juice is expensive, and I was willing to bet six was enough. So, like everyone else who wants/wanted grapes or juice, I put a pre-order in online. I probably could have, since I work here, just let my bosses know I wanted an order, but I really didn’t want to risk it being forgotten. Especially after both my previous disappointment over the Lemberger grapes and having committed to making wine publicly.
My coworkers saw my order come in online and thought I was a little weird. But only a little; we’ve been funneling all orders online to the absolute best of our ability for exactly this sort of thing. It keeps everything organized.
Here’s what I thought I was going to do: decide on yeast (with Chip) before the juice came in. When the juice arrived, I would take my six gallons of Sauvignon Blanc juice, treat it with potassium metabisulfite, pectic enzyme, and tartaric acid as needed, then separate out a gallon and freeze it. Only then would I pitch my yeast and ferment the other five gallons. My wine would spend two weeks in primary, then I’d move the five gallons of “green” wine to a five gallon glass carboy to think about what it needs to do for several months. If I needed to top up the carboy to make sure the juice was in the neck of the carboy, I’d add enough of the previously frozen juice to do so.
First, Chip and I did not manage to collaborate on the yeast plan before the juice arrived. In part because, as I mentioned in the previous post in this series, the grapes ripened far faster than I realized they would and the juice appeared at F.H. Steinbart what felt like the day after the decision. (Time really has been extra fuzzy this year.)
Then, as Chip and I talked to Tom (both together and individually), we realized I’d been correct to buy (and advise him to buy) six gallons of juice, I’d been completely wrong about how to handle that juice. My expectation of freezing a gallon of unfermented juice for top ups was completely wrong. Apparently we need to ferment all the wine at the same time, and top up with the “extra” gallon of wine as we go. I knew adding unfermented juice would rev the yeast back up, but I thought that was the goal. Apparently not.
Phew! Newbie mistake avoided!
After that, we discussed fermentation temperature. Tom said we wanted to keep it fermenting fairly cool and slowly. Too warm a ferment will, apparently, strip the delightful fruity notes I love in Sauvignon Blanc. I’m not sure the biochemical ways the yeasts strip such things out when reproducing more aggressively, but I don’t doubt Mr. Thompson in this. Chip said his plan was to keep his primary fermentor surrounded by ice packs. I said my plan was to hope room temperature in my house was enough. We were aiming, it seems, for 65F-70F.
The acid levels in the juice were a bit low, so we needed to add tartaric acid in addition to our pectic enzyme and potassium metabisulfite. I have since lost the calculations, unfortunately, of how much acid we needed to add. So that’s fun. I mean, I added the right amount because Tom and I did it before I left that day, but I still don’t recall how much.
Bummer! Newbie mistake activated!
Chip selected our yeast, Vintner’s Harvest BV7. I don’t know what drove him to settle there, but I am sure it’s gonna result in a tasty wine. Why did I not help select the yeast? Well, for the same reason I’m writing this post up. I work at F.H. Steinbart! I got called in to help with other customers when Chip and Tom started discussing yeasts. It’s cool, though, because I have complete faith in those two. (Chip, please comment and explain why we’re using this yeast. I trust you, but I’d love to know what we’re optimizing for.)
Anyway, I was able to add my tartaric acid, pectic enzyme, and potassium metabisulfite about the same time Chip did, I suspect. There was a short break in customers at the shop not too long after Chip left, and Tom and I were able to measure out my juice and add the appropriate chemicals.
I pitched my yeast the next day, and considered changing my plan to be more like Chip (have ice packs around my fermentor), but after consulting with Tom* I concluded that the weather had changed enough that my home’s temp was probably just fine.
Later, when I no longer had the ability to gather the items to chill the fermentor, the weather changed dramatically AND due to the fires I was unable to keep my window A/C unit in, so we’ll see. I may have ended up with a bummer of a wine due to an overly-warm ferment. I’ll let you all know.
I’m going to rack it out of primary in the next few days (probably Sunday). I’ll let you know what the vital stats are, and how it tastes once that’s done. I’ll also already have some “lessons learned” to share in the next post, and I’ll be able to give you an update on last year’s red wine.
Please keep your fingers crossed that my wine is still tasty after the unfortunate spike in heat!
Here in Oregon, where we’re located, almost a million acres have burned. People have died, homes and other structures destroyed, and we will likely not see them all contained, much less put out, before our winter rains.
For those who aren’t firefighters or other first responders, it may feel like we can’t do anything but stare in horror at these events.
However, we CAN help, and we should never forget this.
Brewers, let’s do it again. We can raise funds for a variety of fire-related charities and indulge in our passion for making beer at the same time. And, because this is coming from us, we can be even more creative with our work than if we were following a specific recipe. A variety pack of a variety of beers is also an excellent enticement for donors.
We’re taking as many brewers as we can get by October 10th to brew 5 or more gallons of beer. The beer must be bottled or canned and ready for delivery by November 14th.
The guidelines for the beer itself are minimal:
ABV 6.5% to 9%
Nothing intentionally smoky
Uses your fierce creativity and skill!
Bocks, Amber ales, Wee Heavies, Belgian Dubbels, Imperial Brown Ales, Imperial Red Ales, Dark Saisons, Imperial Porters…
The list truly could go on forever. The variety of possibilities is breathtaking. And the value of such a twelve pack is mighty high, especially when enticing folks into donating to fire relief efforts.
If you’re interested, please email us (firstname.lastname@example.org) with the subject line, “Amber Skies”. We’ll answer any questions you may have and get you registered.
Beer is mostly water, right? Let’s fight fire with beer!
P.S. Not near us (or even in Oregon at all), but want to do something similar for your area? Contact us and we’ll help you set up an “Amber Skies” for your neck of the woods.
P.P.S. There may be some specially-for-this-project Mecca Grade Pelton available. No promises, at all, except that we’re working on the possibility.
I’m really feeling the maxim, “if you snooze, you lose” right now. I had been a little hesitant to launch this project, and when I finally decided to just commit…
The grapes I wanted were sold out.
I had to scramble to decide what to go with, as I didn’t really have a second choice lined up. I had been thinking an easy, fruity red for the project and Tom had suggested Lemberger for such a wine. Unfortunately, the Lemberger sold out while I was debating myself. None of the other grapes we had available seemed quite so approachable for a near-total beginner.
So, I went a totally different direction. I looked at our grape juices, and contemplated the possible white wines I could make. I have seriously enjoyed Gewürztraminer since I was introduced to it last year, and there’s nothing more delightful than a rosé* on the patio on a hot summer day. But Riesling can be delicious and is one of the latest grapes to ripen, which would give me more time to dive in and learn tons before I ever have to get sticky.
In the end the crisp fruity notes of Sauvignon Blanc won out. It’s absolutely one of my favorite white wines; I’ve loved it from just about every region it’s grown. So why NOT try my hand at it?
I have to admit, I am a bit nervous. I don’t want to totally screw up something I like. But, unlike the Lemberger, I have had Sauvignon Blanc before, so the upside is that I’ll have a much better sense of how well I managed to make my wine.
Now, given agriculture (and my lack of wine grape knowledge), the Sauvignon Blanc grapes ripened and the juice arrived far before I expected. And due to a variety of other factors, I’m just now getting to share this announcement.
So, two things. First, within the next week, I’ll write up what is up with my Sauvignon Blanc and what yeast Chip and I used, and such like.
Second, since part of the goal here was to invite folks to ferment along with me, I thought I’d ask if anyone else would like to join in with different juice or grapes? I am considering making some of that Riesling, since I do enjoy it and it IS a late ripener. I’m *also* considering making Barbera, which I have never had before but will likely hit the same notes I was looking for when considering the Lemberger.
Both grapes should ripen in early October, so we have a little bit of time to decide. If you are interested in joining me, comment on this post, or on one of our social media channels, by October 1st 2020. But, since this is agriculture and the grapes dictate everything, please know that sooner is better for such a commitment. I could get unlucky again and have the grapes ripen faster than expected.
If someone does wish to make Riesling and/or Barbera with me, I’ll absolutely do some of the wine they are interested in fermenting. If not, I may or may not make more wine, but I won’t write up anything beyond the Sauvignon Blanc if I do decide to make something else.
No matter what, it’s bound to be interesting.
*Ok, technically not a white wine, but we’re selling it as juice, so that’s where it’s categorized.
It’s wine time and I work in one of the world’s most amazing wine supply shops in one of the world’s most amazing wine regions. I enjoy wine. So, reasonably, people think I have extensive knowledge of making wine. They assume I make great wine. And they are, sadly, not totally correct. I’ve only attempted to make wine once so far, and I am not confident that wine will be good, much less great.
I don’t really know how to make wine. Yet.
My only experience making wine came last year, when I lucked into enough grapes to make about three gallons of a Malbec and Cabernet Franc blend. I carefully punched down the skins twice a day for ten days, then racked it into a three-gallon glass carboy, and then sat back to wait for the next step. I was pretty sure the next step was malolactic fermentation (“MLF”), but I didn’t know for sure and I didn’t know when to start it if that was the next step.
Then my life got rather topsy-turvy, and in all honesty I didn’t think about that wine again until about January of this year. And our expert, Tom, told me to rack it into a new carboy, sulfite it and not expect too much. I followed his directions, and (as one always should) I sampled the wine as I moved it.
It isn’t vinegar*. I think that’s the best thing I can say about what I made. I currently have not quite three gallons of flabby, insipid, alcoholic grape juice. Some of this, undoubtedly, is that Cabernet blends require a substantial amount of aging**. But no doubt some is the result of my forgetting the wine for months. (I still haven’t managed the MLF.) Finally, I also think some of that is that I didn’t so much choose a yeast basically because the person who gave me a few grapes shrugged and said, “Use this one,” handed it to me, and wandered off. (I used Red Star Premier Classique.)
This year, I’m going to do it differently. This year, I’m going to do it intentionally. This year, I’m doing some research (mostly picking Tom’s brain and reading the things he writes and our copies, new and old, of Wine Maker Magazine) before I buy grapes or juice. Then more research as I work and things ferment. (Tom will be fielding questions from me for months, and I’ll be reading Wine Maker Magazine or the various books we carry) And this year, I’ll document the technique(s) here on the F.H.S. blog. Hopefully this year will be a great deal better.
But I’ll be learning publicly, and so any successes or trip-ups will be documented here.
Socially Distant Together?
I’ll announce the grapes I’m buying next week. I’ll post If anyone wants to do a ferment-a-long, comment here. Anyone who wants to do so is welcome, newbies and experts alike. And it’d be fun, I think, to hear how others’ fermenting is going. Maybe we can build a little wine community and stay safely socially distant. (Thanks 2020.)
Join or not, I hope you’ll follow along. If you have comments, feel free to share them. Or let us know your thoughts on Facebook, Instagram, or Twitter.
Tom is all over this blog right now, as it is absolutely time to talk wine all the time. In this piece, he gives the best tips on how to use an acid test kit and why you absolutely should use one.
The first time I made wine was in 1970 when our very old plum tree put out 12 bushels of ripe fruit. The previous year had been just as productive and everyone in the family was tired of canned plums and jam. Dad suggested I make wine, as I was the only one in the family who liked wine much. Figuring I might as well, I hit a store called WineArt Oregon on Broadway Blvd. Ann McCullum, the proprietor, insisted I get a hydrometer, airlock, carboy, yeast, acid blend and (importantly) an acid testing kit. She instructed me this kit was the best way to make sure the acidity in my wine was balanced and flavor enhancing.
Acidity is what gives wine the wonderful, refreshing flavor that makes us desire another glass. Without acid wine is flat and insipid. Furthermore, without acidity, wine will not keep as well. The acid level that is required is about 0.5% or higher. You will need at least 0.6% and above for a good crisp white wine and even more about 0.75% for sweetened dessert wines. All wines run a high risk of spoilage from bacterial contamination. Acidity is key to reducing contamination risk. Finally, if you are considering malolactic fermentation (“MLF”) for your wine, you will need to know the total acidity (“TA”) of your wine. Otherwise you might have too much acid for the malolactic cultures to survive, or so little acid that the cultures strip away the very acid you need.
How do we know just how high or low our wine’s acid is? By testing it. Remember, sugar masks acid very well so just tasting the fruit, juice, or must we have will fool us, because they will be at least 20% sugar.
Tips for Acid Testing
The acid test kit we carry is a color change titration type test. A titration test works roughly in the same way as the iconic “science fair project” volcano; it uses the reaction that ensues when combining acidic and alkaline ingredients, but for decision making instead of volcanic activity. So, when the sodium hydroxide (“NaOH”) from the kit is carefully added to wine, juice, or must in specified amounts a color change happens. When the color becomes either magenta or green (depending on wine type) we are done. The kit itself has very good instructions so I will not go into any further detail. However, there are a few tips for best practices I would like to pass along, based on my years of experience.
First, make sure your base is fresh for the season. Replace it with the like kind solution that came with the kit. (Our kits use a .01N NaOH solution.) If the solution is stale, your reading will be way off. The results aren’t pretty. I made a wine once that had over 1.5% acid when I thought it had 0.72% acid. I didn’t catch myself as I kept adding acid blend until I thought, “this just can’t be right” then it was too late. There was no way for me to save it. I had to dump it.
Even when you’ve got totally fresh reagents for your kit, bear in mind that it’s very easy to overshoot the color changes you’re looking for to get proper acidity. To test, you will be adding NaOH in 1 milliliter increments of reagent with a syringe. Swirl and mix in well each addition.
The color change for all white or very light colored musts (including red grape musts that haven’t been on the skins for any time yet) will be a pale pink shade.
For red-colored musts dilute the must with an equal amount of water. Then look for a change into a grayish purple tint as you add the NaOH. Once there you are done.
Here is an easy way to keep track of color changes in any must: when you make up your beaker of must for testing, make a duplicate in a similar sized glass. Then you can compare the musts as the color changes. By comparing them you will see the color change more accurately. Small tasting cups or 100 mL beakers are perfect. You need to be able to swirl them vigorously. When you’re pretty sure what the acid level is? Test it once more to be sure.
When you’re absolutely sure of your wine’s TA, it’s time to decide what acid adjustments you need to make and how you want to make them. For brevity’s sake, I am not going into much in the way of details in this piece. I will save that for another piece. What I will say is that many ways of adjusting TA in wine require a small scale that can do fractions of a gram. The adjustments will be all grams per liter, so you need accuracy (and possibly to brush up on metric units!) for the best possible results. An acid test kit is a valuable tool you should use.
It is impossible for your grapes to become the best possible wine they can become without you knowing their acid levels from day one. Ann McCullum did not steer me wrong 50 years ago, and now I strive to do the same for you. Use an acid test kit for all your future wines, whether they are grape wines, fruit wines, or honey wines.
Tom wrote a couple handouts for the 2020 wine season and beyond. As useful as handouts are, we know it’s also incredibly helpful to have the information easily accessible online. So, with slight editing, we are putting this information up as resources for everyone. They go in order of when to use them.
Wine Production Techniques Guide
The Cold Soak and the Skin Soak
The cold soak is used on a lot of red grape varieties, as it allows the stubborn skin pigments to become dissolved in the juice and thus provide a richer color. Here in the Pacific Northwest, Pinot Noir is the most prominent grape it’s used for. The skin soak is, in effect, the same technique as the cold soak but is is much shorter, as is appropriate for white wines. Soaking on the skins before pressing is a technique that provides a lot of fruity character, and the must will acquire more tannin. Bonus? The grapes will also give up more juice when pressed.
The grapes must be perfect. Broken skins, mold, bunch rot, or dirt cannot be allowed for a cold or skin soak. Infections will raise their ugly heads. Always use pectic enzyme and sulfite (SO2) your must to at least 30 parts per million (ppm) to avoid any wild fermentation.
For white grapes, once they are crushed and have had the pectic enzyme and SO2 added, simply allow them to sit on their skins for 2 – 12 hours. You can chill this must, but it is not required. However, chilling red must to about 50℉ is vital. Once chilled, allow the must to soak for about three days at 50F or lower.
The easiest way for small-batch winemakers to cold soak is to freeze water in a couple of plastic gallon milk jugs. (Make sure the jugs don’t split, so you don’t dilute the must.) Alternate jugs between the freezer and the must as needed to keep the temperature low. Remember to also punch down the grape skins once or twice a day, as this will not only release CO2 but also help keep the temperature of the must even. Keep your fermentor covered to prevent the escape of the SO2.
If any signs of wild fermentation show up in either soak, immediately cease the cold soak. Pitch your yeast and warm everything up to fermentation temperature.
After the cold soak, slowly raise the temperature to fermentation temperature and proceed.
Warming Up Must
Even though it’s 100℉ as I type this, I know we will receive our grapes in colder weather. (It might be downright icy at times.) Use the method I detailed above to raise the temperature in your fermentor, but use hot tap water instead of frozen jugs. Keep changing the warm jugs until you reach your fermentation temperature. Then wrap the fermentor with a FermWrap or an electric blanket and place it in a warmer room.
Note: If you have more than 100 pounds of must in a single fermentor, it will start to generate noticable heat on its own. Keep an eye on the wine so it does not get over 80℉ and thus ferment too fast. This will reduce the quality of the final wine.
Tips for Pressing Off Juice/Wine
Advice abounds on how to avoid excessive tannin when pressing grapes for wine. However when you make small batches of wine at home using the typical basket press, you will not have problems pressing off too much tannin. That said, there are other things to consider.
For example, you may decide to ferment the free flow wine separately from the pressed wine. (“Free flow” is the what flows out of the press before any pressure is applied.) The pressed wine will mature faster than the free flow wine and be much lighter in body and flavor. I don’t think it’s worth the effort unless you can get more than fifteen gallons of free-flow wine. Then you will get about three gallons of pressed wine.
Make sure you have a good-sized sieve that can fit into a one-gallon or two-gallon bucket and will together fit under the press spout. You’ll also want a funnel that will be big enough to handle the flow from the bucket into the carboy. Don’t skimp on funnel size! If you do, there will substantial slop and spills and wine loss.
Related, remember that pressing off is sloppy work no matter your funnel size. So make sure the press and the fermentor are in an area you can clean up easily by hosing it down.
Many of the world’s best red wines go through malolactic fermentation (“MLF”). This is not a yeast fermentation but a bacterial one, and little alcohol is produced. MLF occurs when malolactic bacteria convert malic acid to lactic acid. Malic acid is a harsh acid of unripe fruit like green apples, and lactic acid is that softer “tang” found in cheese or yogurt. You will typically want MLF in any red where a finished softness of acidity and an ability to age well is desired.
However if your grapes are overripe and thus have a low acid level to begin with, MLF can make a flaccid and dull tasting wine that ages less well than you desire. What fruitiness was in the wine before MLF will be gone and the stabilizing acidity will be dramatically lowered. At this point, avoid MLF and increase the acidity of the must.
Most red wines will benefit from MLF, but it’s considered an infection in some wines. It’s particularly undesirable if you want a fruit-forward wine like Lemberger, Riesling, Muscat or most Chardonnays. (Big, buttery Chards can, and often do, undergo MLF but grapes appropriate for that style rarely come from the PNW.)
For MLF to occur the must should have the following characteristics:
Total acidity (TA) no less than 0.070 but no more than 1.00
Typically, all of this information should be given to you when you receive your grapes or juice. Sometimes, though, all you get is the TA and pH. In that case, use your hydrometer to get the SG. The SO2 is what you add. Measure carefully.
If you need to adjust your acid up or down, please see our must adjustment handout. If you need to add acid be sure it’s tartaric acid. This is the acid of balanced wines. If your grape juice or must is over 1.00 TA, you got very under ripe grapes that are sour. Even with careful measurement, your TA and SG will be off (at that point, the acid content can mask sugar content). Unless it is or has been a horrifically cold and wet fall, don’t repurchase those grapes. Find a different grower.
Malolacticcultures come in a variety of forms, and you can add them at different times depending on your desires and schedule. You can add them at the tail end of primary fermentation or after the wine is in the carboy for secondary fermentation. Be aware, though, that the longer you delay adding the malolactic bacteria, the harder it will be for MLF to complete. This is because once primary fermentation ends, you will be adding SO2 regularly (up to 50 ppm), and typically your fermentation temperatures will be dropping. MLF occurs best in warm, low oxygen environments. And SO2 is added in large part to prevent bacterial growth, so MLF is caught in that. In a cooler environment with more SO2, MLF will be slow and may take months to finish. This is why if you want to prevent MLF, or any other bacterial invasion, you add SO2 to your wine regularly after every racking and before bottling.
It’s not always obvious, but the yeast choice a person makes to ferment a beverage is extremely vital to the flavor of the final beverage. Some yeasts are “clean”, meaning they do not contribute much (if anything) to the flavor of the wine. Others produce a number of phenolics and esters, the type of which can elevate your fermentation or clash mightily with it. Tom’s put together a guide to help you select the best yeast for your circumstances.
Choosing a yeast
This will be the most important choice the home winemaker will make.
You will be able to pick the grape variety but you cannot control its picking date, sugar level, TA, or pH. Yet, these are the things you need to take into consideration when choosing a yeast. Furthermore, you’ll need to consider if you wish to (or are capable of) a cold or warm fermentation.
Once you have those things set in your plan, consider the grape. What styles of wine does this grape often show up in? Think about the grape by winemaking region, e.g. Bordeaux, the Rhone Valley, Mosel, California, or Italy. With the grapes you have, what most appeals to you? Do you want a fruit-forward wine or not? Once you’ve taken into account all of these things, you’ll be able to decide on a yeast with ease.
Have a great time making wine!
The Cabernet family (and blends)
F.H. Steinbart will be getting Cabernet Sauvignon, Cabernet Franc, Merlot, Syrah, Mourvèdre, Petite Verdot, and Carménère. All of these can be used to make wines similar in style to western and southwestern French wines, as well as Californian and Australian wines. These are big, bold, and very vinous wines; they are high in alcohol and not particularly fruity by style. For these wines, the best yeast choices we carry are Wyeast 4267 Summation Red, Wyeast 4946 Bold Red, and Wyeast 4028 Red. All of these will create a dry, rich, hearty red wine. Ferment them warm and for as long as possible. The next level of yeast is the Vintners Harvest brand. These yeasts are dry and of excellent quality. Read their characteristics to make a choice, though I feel R56 is the best choice for this group of grapes. Red Star makes Premier Classique and Premier Rouge. Both yeasts work well, just avoid fermenting either one in the high 70s to 80s. At high temperatures, they tend to produce hydrogen sulfide (rotten egg) aromas that can be hard to get rid of. You will want to do malolactic fermentation (“MLF”) with these grapes to produce a soft-finished and aging-stable wine.
The Fruity Reds
Pinot Noir and Lemberger are the two stars in this group, but it can also include Cabernet Franc. Want to make Oregon Pinot Noir with a big fruit nose of raspberries and a soft spiciness? Assmannshausen is the premier yeast for that result. It’s good for soft reds and fruity whites. Use a cold soak to make fruity reds, if you can, to get as much color and juice from your grapes as possible. Use Assmannshausen yeast and at the end of primary fermentation use MLF for the best results. Vintners Harvest R56 and CR51 are also good choices, or you can use Red Star Premier Cuvee. Rhone river area yeasts Lalvin RC212 and D47 can help with color extraction and are helpful when paired with MLF.
Southern European Reds
We will be carrying Tempranillo, Sangiovese, Grenache, and Syrah. Here in the Northwest, where we don’t have as many long and hot days as in Southern Europe, these grapes may not reach their full potential in body and sugar. Therefore, I recommend yeasts and techniques that will extract the most color and tannins as well produce a fruity and easily drinkable wine. Try to do a cold soak if you can, especially for the first three. Then use a yeast from the Pinot Noir suggestions above. Or, if you’d prefer, Wyeast has an Italian Red (4244), which I have not tried but like the sound of. Try it for Sangiovese and Grenache blends. If you can swing their purchase at the same time, add 20% to 30% Syrah to any of the other Southern European reds. This grape will boost the wine’s color and soften the tannins and acidity of the other three. Be aware you may have to adjust the must acidity even with the Syrah addition.
Grenache deserves a little extra attention here. It is the best of our reds for a rosé, if you want to make one yourself from grapes. (Otherwise, we do offer rosé juice.) For a good rosé, one to three days of skin contact is best. With a longer soak, you will get a light red wine rather than a rosé. If you are making a red Grenache, plan on MLF only if you plan to make a big, bold red wine with lots of Syrah blended in. If you’re planning a fruity red Grenache, sulfite your wine well to prevent it.
If you purchase enough Grenache (say 150 pounds) try a one to two-day skin soak with half of your grapes, then press off the wine and put those skins in with the rest of the red wine batch that is also on skins. This doubles up the fruit intensity of the red and gives you a lovely rosé to boot. Red Star Côte des Blancs is an excellent yeast for the resulting rosé.
Excepting Muscat, all of the white grapes F.H.S. is selling will be in juice form. So, I will forgo going into pressing and crushing techniques here. If you plan on getting whole white grapes elsewhere, you can use the Muscat procedure detailed below.
You will probably need to adjust must acidity for the whites. Use chemicals first, then fermentation and cold stabilization (storing the wine below 40 degrees for a month). Never use MLF on white wines. The only exception is Chardonnay and even then only if it’s big, very ripe grapes that’s going to become a big, bold, buttery wine. (Grapes appropriate for that style rarely come from the PNW.)
Yeast choice is essential for a red, but it’s more so for white wine. You will want a yeast that ferments in cooler temperatures (which will take longer) and falls out completely when it’s done. (This is known as “flocculation”.) Finally, given that fruit forward is the name of the game, you’ll want yeast that supports or even enhances those fruit notes, rather than something that competes or suppresses them.
For German whites such as Riesling, Grüner Veltliner, and/or Gewürztraminer Wyeast 4783 is excellent. Vintners Harvest AW4 (Germanic White) is also a great choice. If you cannot get ahold of either of those, Vintners Harvest BV7 and SN9 do a lovely job, as does Red Star Côte des Blancs The absolute best yeast for grapes from Germany or Austria is Rudesheimer, also known as “Sweet White” from Wyeast (4783).
Then there’s the French whites and the Rosés, Chardonnay, Sauvignon Blanc, Viognier, and Pinot Gris. Most of these wines will be light to medium-bodied when done. There’s an extensive variety of yeasts available for these, but I particularly like Vintners Harvest CY17, BV7, and Wyeast 4242.
That said, whites and rosé are good grapes to be adventurous with! For example, many wineries use the same yeast they use on their red wines for their whites, and it works incredibly well. Assmannshausen (normally used for the reds of northern France and Germany) promotes a big fruity nose, so it should be just as good in a Chardonnay or a Sauvignon Blanc. As you’re considering yeasts, read label descriptions and if something sounds delicious, go for it! Red Star yeasts do well in experiments and adventures for the most part. The exception being the German whites I mentioned above, as they do not accentuate the fruity notes as well as other yeasts do.
Albariño is the new kid on the block for us. Originating in northern Spain and Portugal, it should be fermented with a yeast that both accentuates fruitiness and helps control acidity. Try any of the German white yeasts I mentioned previously or Lalvin DV10 or 71B Both of these are sold as reducing malic acid without having to undergo MLF.
Finally, we will have Muscat grapes. Many of the delightful fruity white wines of Europe from Spain to Hungry are made from the many various varieties of Muscat If you have had a pitcher of cold white wine with your scampi overlooking the Amalfi Coast, it was a Muscat. One of the largest and oldest wine grape families, all Muscat varieties are rich in fruit flavors and aromas, and can produce wines high in alcohol as well. They also make some of the world’s best dessert wines, should you want to try your hand at that.
When you get your Muscat grapes, you will be given a choice to crush and press them at our shop or take them home and do it there. If the grapes are good and clean without much skin breakage or bug bites, I strongly suggest a skin soak. Take the grapes home, crush them as best as you can. Use stems and all. Use your fist, feet, or a length of 2×4. It won’t matter. Soak the grapes on the skins for at least 2 hours and no more than 8 hours. As soon as the grapes are crushed, dose with SO2 and pectic enzyme. Press, stems and all. This will help to get more juice and a little tannin. If you do not own a press, we rent them out and we sell them. Ferment the juice as cool as possible, using any of the “French White” yeasts I mentioned above if you’d like a dry Muscat. If you want residual sweetness, try a German white yeast.
Mine was made with leftover Gewürztraminer juice and some pulp. I had enough must to make seven gallons of wine, but only a six-gallon carboy. With the extra gallon’s worth of wine must, I made three gallons of pyment.
I believe the same rules for making both drinks really apply here. The first thing makers have to decide is if they want a honey mead with hints of grapes and the complexity that can result or a grape wine with hints of honey, leading to more alcohol because you’re adding honey instead of sugar. The latter would not really be a mead, because honey should be the first aroma and flavor.
What Do Grapes Contribute to the Pyment?
What should you expect to gain from using grapes? First, acidity. Remember that mead is honey wine, and most good wines have acidity as part of the balance within their flavor. If you typically add acid blend or some other form of acid to balance your mead, be aware grapes can go a long way bringing about this balance about. Acidity really perks up the flavor components of a mead. Second tannins will also be there. These give a back of the tongue bitterness that is perceived as a clean and sharp flavor. A great addition to many meads. Tannins also aid in clarification. Finally, nutrients from the grapes aid the fermentation so that it comes to completion without taking forever to do so.
Which Grapes for Pyments?
Now let’s talk about the varieties of grapes you can use. For a mead just about anything that is ripe will work. Ripeness is key, though. Remember that alcohol accentuates all flavors so if the grapes are green or overripe this will come through in the finished mead.
If you are going to make mead from backyard grapes keep this in mind. Most wines or meads made from backyard grapes suffer from being underripe (vs overripe), as most backyard grape-growers haven’t learned how to properly gauge ripeness. More bitterness and sourness will result. How can you tell if they are truly ripe (without doing endless testing like a winery would)? Wait for the grapes to start falling off the vine. They will be very sweet. Far sweeter than, say, a grocery store table grape. Indeed, sweetness to taste is not a good test. Grapes good enough to eat can still be underripe. To get truly ripe grapes for your pyment, you will have to share a lot of the grapes with birds and squirrels.
One the most common backyard grape varietals is the Concord. If you love this flavor use them. The flavor will not change much. Grocery store canned juices and concentrates are also usable and will add the expected flavors. Canned juices from the grocery store are usually in the concord family.
Any grape can be used. If you are buying wine grapes, then by all means save a few pounds and make a pyment. Wine grape concentrates also exist but can be quite expensive.
In my opinion white grapes and juices make wonderful meads. After all, some white wines are often described as having honey overtones. They are mild yet fruity, acidic, and nutrient rich. Grapes like Riesling, Muscat, and Sauvignon Blanc are complex and the honey comes through beautifully.
Red wine grapes, however, tend to overpower the honey flavor of the mead and yet fall flat because not enough were used to give the expected result. They tend to seem weak because we were expecting fuller grape varietal flavors. To use red grapes, the maker should know that they are making a honey-flavored wine and will end up with a full or light-bodied rose (depending on the grape).
How Much Fruit or Juice to Use?
How much fruit you use is really open here. I would think about four to seven pounds of fruit per gallon of mead. If you purchase grape juice, you’ll want about a gallon of juice to two of water and then enough honey to give you your 10% + alcohol. Rely on the honey to give you your fermentable gravity. With canned concentrates dilute them as instructed and again make enough to be about one third of your volume.
Remember by using grapes you are making a pyment; a mead more like a grape wine, so expect the issues of clarification, fermentation, and aging to be those of wines.
Have a great time this summer fermenting your first pyment!